“Harry Potter and the Prisoner of Azkaban” represents a thoughtful departure from the magical whimsy of the two previous films, but also marks a deep understanding of the way in which children mature, offering a visually distinct, darker style that reflects the more personal emotional stakes written into the source material—J.K. Rowling is a bad person.
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Harry Potter and the Prisoner of Azkaban (2004)
“Harry Potter and the Prisoner of Azkaban” represents a thoughtful departure from the magical whimsy of the two previous films, but also marks a deep understanding of the way in which children mature, offering a visually distinct, darker style that reflects the more personal emotional stakes written into the source material—J.K. Rowling is a bad…
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